Photo by Valerio Berdini/REX/Shutterstock (5824298y) English singer-songwriter Anna Calvi has made her comeback with her new album Hunter and a huge UK tour. Anna Calvi has been nominated for several Mercury Prize awards and will be releasing her third album on August 31st via Domino. The album was produced by Nick Launay aka Nick Cave and Kendrick Lamar’s collaborator William Kennedy directed the video for her new single “Don’t Beat The Girl Out Of My Boy.” “I’ve waited five years for this moment, I’ve waited until I felt this music was right, that I could stand behind it and feel it’s the best and most honest art I could possibly make,” she said, introducing the record. “I gave everything to this record, all my love, all my passion, every inch of me is found in this music. Now I let it go and I hope it finds you.
Thank you for being so patient, thank you for being there. “Primal and beautiful, vulnerable and strong, this is my record, Hunter.” You can listen to the single here: We can certainly hear the passion Calvi claimed to put into the record in this fierce, edgy single. Her voice works beautifully over the heavy and distorted bass and the wonderfully violent breakdown is highly memorable.
EDITORS’ NOTES Anna Calvi cultivated her talents as a girl in England, listening to her parents’ Maria Callas, Debussy, and Ravel records. Later she gravitated from her violin playing to guitar, listening to (and learning from) masters like Jimi Hendrix and Django Reinhardt. Her music is rich with drama, calling up touchstones like Ray Orbison, PJ Harvey, and her idol, Edith Piaf. Genres like flamenco, goth, and the blues—plus cinematic influences like James Bond theme songs and the dark visions of David Lynch—are also apparent. After becoming her fan (and unofficial mentor), Brian Eno joined her in the studio to record backup vocals on two of the strongest tracks: “Desire” and “Suzanne & I.” The album is produced by PJ Harvey producer and collaborator Rob Ellis. Calvi's best when she shepherds her disparate influences and powerful, intense voice into the rock arena, as she does on the tracks mentioned above and on the galloping “Blackout” and the spaghetti western–spiced “I’ll Be Your Man.” Nick Cave asked Calvi to join him on Grinderman’s 2010 tour, and a finer double bill is hard to imagine. EDITORS’ NOTES Anna Calvi cultivated her talents as a girl in England, listening to her parents’ Maria Callas, Debussy, and Ravel records. Later she gravitated from her violin playing to guitar, listening to (and learning from) masters like Jimi Hendrix and Django Reinhardt. Her music is rich with drama, calling up touchstones like Ray Orbison, PJ Harvey, and her idol, Edith Piaf.
Anna Calvi Wikipedia
Genres like flamenco, goth, and the blues—plus cinematic influences like James Bond theme songs and the dark visions of David Lynch—are also apparent. After becoming her fan (and unofficial mentor), Brian Eno joined her in the studio to record backup vocals on two of the strongest tracks: “Desire” and “Suzanne & I.” The album is produced by PJ Harvey producer and collaborator Rob Ellis. Calvi's best when she shepherds her disparate influences and powerful, intense voice into the rock arena, as she does on the tracks mentioned above and on the galloping “Blackout” and the spaghetti western–spiced “I’ll Be Your Man.” Nick Cave asked Calvi to join him on Grinderman’s 2010 tour, and a finer double bill is hard to imagine. Hailed as 'the best thing since Patti Smith' by Brian Eno, as well as being included in the BBC's Sound of 2011 list, the hype surrounding London-born Anna Calvi came to a crescendo in late 2010. Gaining critical acclaim among music journalists, Calvi drew comparisons with passionate and brooding musicians like Nick Cave and Polly Jean Harvey. The dense and rich musical influences that inhabit Calvi's world are broad and distinctive strokes of sultry flamenco, smoke-filled blues, and seductive goth pop/rock. Adding to this tapestry of influences, Calvi claims to have been inspired by the films of David Lynch, Gus Van Sant, and Wong Kar Wai; the cinematic element to her music contributes a mysterious and unyielding undercurrent to her work.
Anna Calvi Amp
At the age of 17, after eschewing art school in favor of a music degree, Calvi began to learn her trade and assemble musical partnerships. In 2006, she met percussionist and harmonium player Mally Harpaz, and later recruited drummer Daniel Maiden-Wood. The release of her debut single, 'Jezebel,' in the fall of 2010 was an electric cover version of the Edith Piaf standard. The young Calvi soon captured the attention of Domino Records boss Lawrence Bell after a glowing reference from former Coral guitarist Bill Ryder-Jones, who had witnessed one of Calvi's gigs in Manchester.
Bell quickly signed her to his label. Ryder-Jones was not the only celebrity admirer of Calvi's, an acquaintance of the aforementioned Brian Eno similarly urged him to listen to this emerging talent. After hearing Calvi's raw and unplugged performances on The Attic Sessions (the early demos that she recorded on an eight-track in her parents' attic), the distinguished producer soon became her mentor and unofficial cheerleader.
Calvi entered Black Box studio in France with the much-lauded producer Rob Ellis to record her self-titled debut album in 2010. Using vintage analog equipment, Calvi created a velvet Wall of Sound that justified the hype in the buildup to its 2011 release.
Following the release of her debut album, Calvi was inundated with award nominations, with accolades such as Best British Breakthrough Act at the BRITS in 2012, and she was presented with the European Border Breaks alongside being invited to judge that year's prestigious Mercury Prize. Toward the end of 2012 she lent her powerful voice to Noah and the Whale's title track, 'Heart of Nowhere,' between sessions for her second release, One Breath, which was issued in 2013. Strange Weather, an EP of covers, arrived the following year. Aneet Nijjar.
. 'Blackout' Released: 21 March 2011.
'Desire' Released: 20 June 2011. 'Suzanne & I' Released: 12 September 2011 Anna Calvi is the debut album of British singer-songwriter, released on 14 January 2011,. In Autumn, 2010, Calvi entered Black Box studio in France with producer and, using vintage analogue equipment, created 'a velvet Wall of Sound that justified the hype in the buildup to its 2011 release.' The album peaked at No.
40 in the reached No. 17 in France, and entered several European charts. The album has been nominated for the 2011. Contents. History The debut album's material had been written in Anna Calvi's parents' attic, using eight-track equipment.
Of Rob Ellis, best known for his work with, she said: He’s old-school rock‘n roll you know, 'Hit the drums harder!' Which I love. We both share a love of classical music.he loves the same composers as I do. So I didn’t have to explain what I meant when I said that I wanted I wanted a guitar or a shaker to sound like an orchestra. How to shoot video that doesn't sucker.
It was great to find someone who understood. Calvi herself said she was proud with the album and picked out two songs where she felt she'd got close to what she ultimately wanted to achieve: 'Love Won’t Be Leaving' (noted for microscopic sound detailisation) and 'The Devil'. 'I see music very visually. And I want the music itself to express the story as much, if not more, than the lyrics.
I think I achieved that on Love Won’t Be Leaving,' she commented on the former. As for the latter, 'It’s a good example of how I wanted to make the guitar sound like another instrument. I wanted the middle-section to sound like the strings on a Hitchcock soundtrack. It crescendos towards an explosion, but in a real and honest way.
It's not about bravado,' she added. Singles 'Blackout' (with the cover of an Elvis Presley song 'Surrender' on the b-side) was released as the first single from the album on 21 March 2011 and was debuted on in the US. 'Desire' was the second single (backed with a reworking of 's ') and was released on 20 June 2011. The track was available on 7' (RUG412) and via digital download (RUG412D). 'Suzanne & I' (backed with the cover of ') was released as the third single from the album on 12 September 2011. Reception Professional ratings Review scores Source Rating favourable favourable favourable Upon its release, the album received generally good reviews from music critics. Aggregating website reports a score of 7.6 based on 29 professional reviews, giving it the highest 5/5 ranking.
Reviewer Eamonn Seoige (IHeart AU), called the album 'fully-formed and. An instantly engaging body of work', argued that it's 'key strength is honest, raw power.' Describing Calvi's songs as 'poetic, free-flowing, often incorporating multiple styles that frame her distinctive and kaleidoscopic vocal range,' he added: 'A gifted musician, possessor of a unique voice and writer of inimitable songs, Calvi is already primed for greatness.'
Matt James of described Calvi as 'eternally glamorous, but perennially doomed nightclub torch-song singer with a skeleton army in their closet' and her debut, never 'afraid to be fantastical, striking,' as 'rich and strange'. Called the debut 'perhaps the first great record of 2011.' According to Jon O'Brien of, this 'ambitious and always intriguing debut.
Heralds the arrival of a unique and inventive addition to the plethora of U.K. Female singer/songwriters.' Placed the album at number 8 on its list of 'Top 50 albums of 2011.' Publication Score NME 9/10 Mojo 4. Uncut 4. The Observer Album of The Week Independent on Sunday Album of The Week Evening Standard 4. Album of The Week Irish Times 4.
Album of The Week Irish Tribune 5/5 Album of The Week Guardian 4. The Times 4. Financial Times 4. Daily Mail 4. The Sun 4. Time Out 4.
Album of The Week Artrocker 4. The Fly 4. Rough Trade Album of The Month Track listing All tracks written by Anna Calvi. Title Length 1.
'Rider to the Sea' 2:40 2. 'No More Words' 3:51 3. 'Desire' 3:51 4.
'Suzanne & I' 4:11 5. 'First We Kiss' 3:05 6. 'The Devil' 4:34 7. 'Blackout' 4:05 8. 'I'll Be Your Man' 3:10 9. 'Morning Light' 4:13 10.
From the original on 2011-10-12. Retrieved 1 January 2011., Retrieved 18 January 2011. 20 April 2014 at the. Perry, Andrew (10 January 2011).
The Daily Telegraph. From the original on 2011-07-24. 6 September 2011 at the., Retrieved 27 January 2011. @ lescharts.com.
21 April 2014 at the. Domino Records. 20 April 2014 at the. 20 October 2013 at the. 24 October 2013 at the.
– www.annacalvi.com 19 October 2013 at the. Chris White. BBC Music 5 September 2011 at the. 1 March 2011 at the.
20 January 2011 at the. Independent on Sunday. 10 November 2012 at the.
New Musical Express. 11 October 2013 at the. Phil Mongredien. February Anna Calvi.
P.113. Kitty Empire. 13 June 2012 at the.
Rave magazine. 16 March 2012 at the.
Doran, John (March 2011). 'Anna Calvi - Anna CAlvi'. From the original on 2012-05-30. Retrieved 12 May 2011. Simmy Richman. Independent on Sunday. From the original on 2012-11-10.
Retrieved 1 January 2011. IHeart AU 12 February 2011 at the.
Matt James. 29 January 2013 at the. 2 December 2011. From the original on 18 October 2012. Retrieved 16 December 2011. From the original on 28 December 2013.
From the original on 2 November 2012. From the original on 2 November 2012. From the original on 25 December 2013. From the original on 21 April 2014. From the original on 14 October 2013. From the original on 24 December 2013. From the original on 24 December 2013.
Archived from on 2012-04-10. (in French).
Ruelle, Yohann (6 October 2013). Retrieved 7 June 2018. Gibsone, Harriet (13 October 2014). The Guardian. Retrieved 7 June 2018.
Comments are closed.
|
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |